"Le monde baroque et psychédélique de Monsieur
bocetos, proyectos, exentricidades, psicodelias y otras rarezas

inechi:

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A sequence from Lapsos 3. I only have like five or so copies of this and issue 2 left (issue 1 is already gone!) so if you’re interested, don’t think twice!

I’m working on a new design for the Gatosaurio website to be released on monday, so you have until then to grab these. Whatever is left I’m saving for cons and such…



svdp:

Throwing Snow feat. Adda Kaleh - The Tempest

Stunning video by Rick Robin in support of Throwing Snow’s forthcoming debut album ‘Mosaic’.

(Source: remediosthebeauty)


hifructosemag:

littlelimpstiff14u2:

Yoshitoshi Kanemaki

Unusual Sculptures of People and Skeletons Chiseled from Wood by Yoshitoshi Kanemaki

Japanese sculptor Yoshitoshi Kanemaki chisels these life-sized figurative sculptures out of giant pieces of camphor wood, a kind of evergreen. The strange pieces frequently involve two or more characters merged into a single form, which could been interpreted as commentary on mortality, or multiple personalities/perspectives.

http://bunkyo-art.co.jp/artists/YoshitoshiKanemaki.html

http://www.thisiscolossal.com/2014/03/yoshitoshi-kanemaki/

(via elpalitroche)



archatlas:

Anish Kapoor C-Curve Carl Abrams

The Anish Kapoor C-Curve sculpture is on top of the South Downs overlooking Brighton, as one of the exhibits within the Brighton Festival.





7 minute Psytrance Documentary 


archatlas:

Sancaklar Mosque Emre Arolat Architects

Sancaklar Mosque located in Buyuk Cekmece, a suburban neighborhood in the outskirts of Istanbul, aims to address the fundamental issues of designing a mosque by distancing itself from the current architectural discussions based on form and focusing solely on the essence of religious space. 

The interior of the mosque, a simple cave like space, becomes a dramatic and awe inspiring place to pray and be alone with God. The slits and fractures along the Qiblah wall enhances the directionality of the prayer space and allows daylight to filter into the prayer hall.

The project constantly plays off of the tension between man-made and natural. The contrast between the natural stone stairs following the natural slope of the landscape and the thin reinforced concrete slab spanning over 6 meters to form the canopy helps enhance this dual relationship.


artchipel:

Curator’s Monday 137

Valerie Hegarty (USA)

Valerie Hegarty’s installations create dream-like transitional spaces and objects that expand and fracture the austerity of an exhibition space while dismantling the constructs of image- and object-making.  Informed by the current turbulent state of our country while also excavating from America’s past, Hegarty’s work often turns the gallery into a dramatic place of change.  Working with fragile materials such as foamcore, paper, paint and glue, she exploits a scrupulous mimicry of objects only to demolish them by devices often associated with their historical significance. On one level the viewer can become overwhelmed with an inquisitive desire to determine what is real and what is constructed and on another, can decide to revel in the make-believe. Hegarty’s ruins suggest a path of destruction and chaos that can be traced from early colonialism to the most recent effects of globalization. Her work portrays a pivotal moment in our narrative – one that is full of pathos yet buoyed by the hope that comes with change. (source: Fountainhead Residency) Our sincere thanks to arpeggia for this Curator’s Monday.

[more Valerie HegartyCurator’s Monday with arpeggia]



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